More info: https://analoginside.com/wet-plate-collodion-workshop-may-25th-26th/
alxwrk@yahoo.com / ilgranaio8@gmail.com / jparepir@gmail.com
500,00€
More info: https://analoginside.com/wet-plate-collodion-workshop-may-25th-26th/
alxwrk@yahoo.com / ilgranaio8@gmail.com / jparepir@gmail.com
10 available
More info: https://analoginside.com/wet-plate-collodion-workshop-may-25th-26th/
alxwrk@yahoo.com / ilgranaio8@gmail.com / jparepir@gmail.com
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We have prepared a workshop on collodion negatives and albumen prints given by Joaquín Paredes in our studio in Cáceres.
Albumin copying was invented in 1850 by Louis Désiré Blanquart-Evrard and was the most popular photographic process during the 19th century. It is a process that produces beautiful copies with a characteristic glow that made them prevail over matte copies on salted paper. In combination with collodion negatives they led to the first great "democratization" of photography. Making it accessible to a much larger audience.
the description and full program of the workshop is here: https://analoginside.com/taller-de-negativos-albuminas/
This is a three days workshop: morning and afternoon from 10-14h and 16-20h
To be able to attend to this workshop it is important to have some experience with wet plate collodion. It is a complicated workshop and having some skills with the process will help the student to get the most out of it.
If you need more information do not hesitate to contact us:
This is a workshop that we are especially excited to give. A workshop that we have been trying to do for a long time and that due to time and these almost two years of pandemic we have not been able to plan. Joaquín Paredes The workshop will take a look at the most important contemporary authors who work with historical processes and, above all, we will take a look at the projects that most help us to understand how and why to use these processes in our work.
We will take a journey through the history of photography through its processes and we will link them with contemporary works that use the same techniques, but in a completely different way and with a completely different objective.
Finally, we will do a portfolio review for those students who wish to show their work. It is not essential to show work in the portfolio review in order to attend the workshop. Nor is it necessary for the portfolio to be analogue or chemical in order to do the review.
Among other authors, we will see the work of Alison Rossiter, Chris McCaw, Takashi Arai, Sally Mann...
If you need more information:
Cancellation conditions:
Gelatin-Bromide is a photographic process created in 1871 by Richard Leach Maddox and improved in 1873 by J. Johnson who introduced the washing of the emulsion and later by the work of Charles Harper Bennett who perfected heat maturation to increase sensitivity. By the late 1970s and early 1980s, dry gelatine plate had almost completely displaced wet collodion, thus solving most of the disadvantages of this process.
We'll deal with topics like:
You have all the information on the workshop at: Online bale of gelatin-bromide workshop
- The schedule is Saturday from 10:00 - 14:00 h and 16:00 - 20:00 h.
- If you need more information you can write to info@analoginside.com or call us at 678409142
The advanced wet collodion workshop is designed for students who already work with this process. It is not an introductory workshop and although there will be an exhaustive review of certain concepts, such as the role of chemicals in the process, the main objective of the course is to deepen the problem solving and especially in the creative use of the particularities offered by this technique.
To read the full description of the workshop you can go to: https://analoginside.com/taller-avanzado-de-colodion-humedo
- It is a 16h workshop and the schedule is Saturday and Sunday from 10:00 - 14:00 h and 16:00 - 20:00 h.
- If you need more information you can write to info@analoginside.com or call us at 678409142
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