Wet plate collodion pendant

0 out of 5
60,00

Pendant with a 4,5×4,5cm wet plate collodion image encapsulated with epoxy resin by Joaquín Paredes.

Collodion 4% USP (1000ml)

0 out of 5
69,00

1000ml of 4% USP collodion. Plain collodion is a mix of 99% alcohol, ether and nitrocellulose.

It's a very flamable product. It it highly recommended to carefuly read the safety data sheet for this product.

Black Apron "I shoot wet plate"

0 out of 5
13,00

Black apron with the inscription "I shoot wet plate". Black fabric and two pockets: a large kangaroo pocket and a white vertical pocket for pens or pencils to take notes.

One size fits all

Hydrometer (1,000-1,100 g/cm3)

0 out of 5
22,00

Precision hydrometer calibrated for specific densities between 1,000 g/cm3 and 1,100 g/cm3

Silver nitrate baths used in the wet plate process are a 9% silver nitrate solution in distilled water. That means 90g of silver nitrate dissolved in one liter of distilled water. Once we prepare this mix, there is only one way to find out how much silver nitrate there is in the bath: we need to measure the specific density of the solution with a hydrometer.

A 9% silver nitrate bath has a specific density of 1,067g/cm3. If our bath has a lower density we will have to add silver nitrate to the mix

Drying rack for 4×5″, 5×7″ and 8×10″ plates (10x12cm, 13x18cm, 20x25cm)

0 out of 5
26,00

Drying Rack for 4×5″ and 8×10″ plates made of solid pine wood. It can hold up to 16 aluminum or glass plates. It’s specially designed to fit in a portable darkroom. When the drying rack is folded is just 5cm thick.

Folded measurements: 18x29x5cm

For plate sizes: 6x6 cm, 4×5″, 5×7″ and 8×10″ (6x6cm 10x12cm, 13x18cm, 20x25cm).

The slots are “V” shaped to safely hold the plates and prevent scratching the emulsion.

Custom drying racks for bigger than 11×14″ plates can be ordered. Ask for pricing at: info@analoginside.com

Falcon Eyes Studio Flash TF-1200L with LCD Display

0 out of 5
499,00

We work with 4 of these 1200 w/s flashes at the studio and an f/4 aperture lens. We are incredibly happy with them. They are incredibly cheap and powerful. But the best advantage that we saw compared with other powerful flashes was the price of the flashbulbs. The price for a 4800w/s flashbulb goes up to 700€-800€ and these 1200 w/s are 59,95€ each.

This professional studio flash has 1200Ws power and a modeling lamp with 250W power. The TF-L series by Falcon Eyes are advanced flashes for the demanding studio photographer. They offer everything you would expect of a professional studio flash, such as a fast recharging time, sturdy metal housing, professional bayonet-connection for accessories, a built-in slave receiver and a very accurate adjustability.

Of course, the modeling lamp can be switched on and off and its power can also be set proportional to the flash power. Also, the flash is equipped with an auto-powerdump function and protection from overheating.

But what really sets this flash apart, is this:

  • Clear LCD screen The bright, blue LCD-screen can easily be read.
  • Intelligent remote control (optional) With the additional wireless remote control RC-2L, you can change settings such as flash power, when the flash is positioned out of your reach (e.g. at 3 meters height). Furthermore you can control up to 10 different flash units. See "Optional Accessories".
  • The possibility to let the slave-receiver flash at the first, second or third flash This way, you can trigger the flash on a flash of your choice. Most studio flashes flash immediately when the built-in slave-receiver detects another flash. But the TF-L flashes can be set to go off at the second and third flash as well. This way, you can use the pre-flash function of you camera flash.

The lamp is fitted at the bottom with a standard spigot connection, That makes it fit on almost any light stand. The lamp has a Falcon Eyes bayonet connector in the front, allowing many different accessories such as softboxes, beauty dishes and reflectors to be connected.

Included:

  • Falcon Eyes TF-1200L studio flash
  • Flash tube
  • Modeling Lamp
  • Reflector
  • Synchronization cable
  • Power cable
  • Manual

Contemporary Chemical Photography and Portfolio Review

0 out of 5
160,00

This is a workshop that we are especially excited to give. A workshop that we have been trying to do for a long time and that due to time and these almost two years of pandemic we have not been able to plan. Joaquín Paredes The workshop will take a look at the most important contemporary authors who work with historical processes and, above all, we will take a look at the projects that most help us to understand how and why to use these processes in our work.

We will take a journey through the history of photography through its processes and we will link them with contemporary works that use the same techniques, but in a completely different way and with a completely different objective.

Finally, we will do a portfolio review for those students who wish to show their work. It is not essential to show work in the portfolio review in order to attend the workshop. Nor is it necessary for the portfolio to be analogue or chemical in order to do the review.

Among other authors, we will see the work of Alison Rossiter, Chris McCaw, Takashi Arai, Sally Mann...

If you need more information:

  • Phone Joaquin Paredes: 678 409142
  • Email: info@analoginside.com / jparepir@gmail.com

Cancellation conditions:

  • In cancellations with less than 20 days from the date of the workshop, 50% of the workshop fee will be refunded.
  • In cancellations with less than 7 days from the date of the workshop will not be refunded.

Contemporary Chemical Photography & Portfolio Review + 2 nights accommodation

0 out of 5
290,00

This is a workshop that we are especially excited to give. A workshop that we have been trying to do for a long time and that due to time and these almost two years of pandemic we have not been able to plan. Joaquín Paredes The workshop will take a look at the most important contemporary authors who work with historical processes and, above all, we will take a look at the projects that most help us to understand how and why to use these processes in our work.

Accommodation will be in the apartments "Torre de la Yerba", 300m from the Plaza Mayor of Cáceres.

We will take a journey through the history of photography through its processes and we will link them with contemporary works that use the same techniques, but in a completely different way and with a completely different objective.

Finally, we will do a portfolio review for those students who wish to show their work. It is not essential to show work in the portfolio review in order to attend the workshop. Nor is it necessary for the portfolio to be analogue or chemical in order to do the review.

Among other authors, we will see the work of Alison Rossiter, Chris McCaw, Takashi Arai, Sally Mann...

If you need more information:

  • Phone Joaquin Paredes: 678 409142
  • Email: info@analoginside.com / jparepir@gmail.com

Cancellation conditions:

  • In cancellations with less than 20 days from the date of the workshop, 50% of the workshop fee will be refunded.
  • In cancellations with less than 7 days from the date of the workshop will not be refunded.

Clear borosilicate lab bottle (1000ml)

0 out of 5
16,00

1000ml clear borosilicate bottle

Forget about old bottles and cork caps! Use modern lab bottles to help preserve your chemicals. These bottles are more resistant to impacts and temperature changes than regular glass bottles; they also have airtight caps.

Clear borosilicate lab bottle (250ml)

0 out of 5
9,00

250ml clear borosilicate bottle

Forget about old bottles and cork caps! Use modern lab bottles to help preserve your chemicals. These bottles are more resistant to impacts and temperature changes than regular glass bottles; they also have airtight caps.

Clear borosilicate lab bottle (500ml)

0 out of 5
11,00

500ml clear borosilicate bottle

Forget about old bottles and cork caps! Use modern lab bottles to help preserve your chemicals. These bottles are more resistant to impacts and temperature changes than regular glass bottles; they also have airtight caps.

Safety goggles

0 out of 5
7,00

Safety goggles.

Safety goggles are essential when mixing collodion salts and in every process which involves acids, silver nitrate or any other harmful chemical.

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